In Vancouver with a partner in crime, fixing the finale of the musical in time for the workshop.

after indulging in almost every form of a series of unfortunate events media, and trying to figure out what’s going on is VFD really just a volunteer fire department that split into two sides one being actual firefighters the other being arsonist there’s no way there’s no way it’s just people that put out fires and people that make them is that really what VFD is

Look. I know he's not the best guy around (rip 😔) but he is genuinely my favorite character 🙏🏻 He just has so much depth to him (imho) and quite a complexity that I one day wish to be able to give to my characters

(Not to mention that he is, in fact, one of my hear me outs 😔🙏🏻 and that I lowk found him very funny and rather creative depending on the situation/episode)

In short, I'm just curious to see if the good people of Reddit agree (or don't) and why?

EDIT: I am referring to the Series Olaf guys, not the one in the books or movie 🙏🏻

Me personally, The marvelous marriage was his best con. Despite being his first swing, it's arguably the only one that technically did succeed to some degree and had the highest chance of garnering success.

1. Sunny was locked up and Claus was under constant surveillance, the ONLY time that all three children have been taken care of.

2. Olaf has actually done his research this time around by specifically picking a play that includes a full wedding ceremony AND dragging Justice Strauss into the whole debacle.

3. From quite literally any other prospective it would have looked like any normal play. No disguises or any dead giveaway's to anything even slightly suspicious unless you're in the prospective of the Baudelaire's

4. To some slight stretch of legality, Violet DOES sign the marriage certificate. If she hadn't been as mature and well educated, any other 14-year-old in that situation would have been doomed.

I think as the series progressed and Olaf was becoming more desperate his plans started to become more erratic and unnecessarily complicated.

What are your thoughts?

Daniel Handler posted on instagram that he is in Vancouver with "a partner in crime" finishing working on a MUSICAL they are about to workshop....anybody know anything about this? Exciting!!!!!!

Just wanted to share in case anyone else has been waiting for a sale! I don't know how long it will last!

Currently, the name is "Count Olaf's Flammable House," but I'm open to changing it if you guys can think of anything alliterative, or a VFD acronym :3

Most of the footage is from the first episode, but I also used a few clips from later ones. There are also subtitles, since my YTPs mainly rely on sentence mixing. Enjoy :D

Curious if any theories about their background and fate

Hello!

I watched the Netflix version of ASOUE. It was the one I watched as a kid and all and I havent read the books yet but I really wanna get into them seeing how amazing the story is.

Anyways when I first watched ASOUE when I was like 10-11 and basically I was tramitized by it. Like genuenlly actually. I was a very emotional child and I didnt catch any of the dark humor references it just felt extremly scary and liminal to me but I couldnt look away. It sucked me into its world in an incredible way and it played at my already existing fears of adults not being relible. I remember telling my mom that I was scared that the book events would happen to me (yes I was very imaginitative so it felt plausable back then to a degree) I remember my mother saying "we dont have a fortune" lol, didnt stop me from being scared though. I even ended up having a minor fear of tropical beaches afterwards (from "the end" the end felt particularly depressing idk why lol) AND tragically since I was so scared I didnt watch the last part where beatrice II literally said the baudelaires were ok lol. And the part where Sunny was infected really broke me.

I just did NOT catch any of the humor because a story about childern being abandoned back then didnt feel deep at all it just felt like a freak show because I didnt catch that the characters were caricutures or the philsophical arguments in the show 😭😭

Back then each of the episodes really had a specific feeling to them, they were all dark ofc but that specific vibe I guess really ignited more of the horror that I felt as a kid.

Anyways now that im older I decided to rewatch it again and I actually LOVED it so much. It was so clever and funny and actually quite deep. I actually rewatched it all in only like 4 days because I consumed it during my free time. The first few eps were fun the constant return of count olaf began to feel a bit repetitive till the vile village. The episodes after the vile village were probably my favorites.

Anyways I decided I would draw some scenes that I remembered from the show before I watched it. Im really bad at drawing in general so please forgive my horrible style but I thought it would be interesting to see what I remembered before I gave it a proper rewatch. They r mostly scribbles and not proper drawing but I still thought it would be interesting to see lol.

One last fact thats a bit creepy. When I was younger I had a world map from where I basically learned geography. It was the only thing that was the survivor of a terrible fire. Yeah my kid mind sub conciously connected that to that. Since I was the one that used the map the most I basically inherited it its still in my room hung up above my setup. Bit of a creepy fact but yeah thats all.

Hey folks, sorry if this against subreddit rules, but my partner was hoping to go to the Daniel Handler writing workshop in Vancouver this week and unfortunately the tickets have sold out. curious if anyone couldn't make it. Thanks!

I’ve been rereading the series solely to take a second look at Sunny’s dialogue, since I was too young to catch how truly witty/punny some of her lines are on my first read through. Came across this gem in Grim Grotto today. What are your favorite Sunny quips?

S. Theodora Markson and Esme Squalor have so many similarities that I can’t help but think the “S” in S Theodora Markson is actually an “Es” as in Esme and S Theodora Markson’s first name is Esme. And then she has a child and names her Esme (as in Esme squalor) or Markson’s sister/brother has a child and names them after Markson. So Markson could either be Esme’s mom or aunt. I also find it interesting that S is shaped similar to a question mark - which is similar to “the great unknown” so maybe the S will always be a great unknown. Am I a genius or a complete nincompoop?

Edit: my less interesting theory is that it stands for “Sensible” simply because she always says “that’s not sensible”

does anyone know if this is a genuine source from the series? I want to make it as accurate as possible

saw this today and did not find the server at all, if anybody in the server sees this, message me :')

I have a suspicion that Daniel Handler let the suspense about the sugar bowl build on purpose to teach 1 final very annoying (but very valuable ) lesson: we will never know everything and that’s okay

We never find out what’s in the sugar bowl or where it ends up. We never find out why or if it’s so important. And it’s okay, life moves on and the world keeps turning. Kind of reminds me of Poison for Breakfast.

Also, when I first read about the sugar bowl in the books, all I could think of was the “Rocky trout” ice cream from the Sugar Bowl in the PBSkids show Arthur.